Orson Welles Narrates an Animated Parable About How Xenophobia & Greed Will Put America Into Decline (1971)

Greater than 50 years and 10 pres­i­den­tial admin­is­tra­tions have handed since Orson Welles nar­rat­ed Free­dom Riv­er. And whereas it exhibits indicators of age, the ani­mat­ed movie, a para­ble in regards to the position of immi­gra­tion, race, and wealth in Amer­i­ca, nonetheless res­onates as we speak. Actu­al­ly, giv­en the cyn­i­cal exploita­tion of xeno­pho­bia dur­ing this most unpres­i­den­tial of pres­i­den­tial cam­paigns, you might say that Free­dom River strikes a giant­ger chord than it has in years. That’s why we’re fea­tur­ing the ani­ma­tion as soon as once more on Open Cul­ture.

The again­sto­ry behind the movie deserves a lit­tle males­tion. Accord­ing to Joseph Cavel­la, a author for the movie, it took a lit­tle cajol­ing and per­se­ver­ance to get Orson Welles concerned within the movie.

For sev­er­al years, Bosus­tow Professional­duc­tions had requested Orson Welles, then liv­ing in Paris, to nar­price considered one of their movies. He nev­er reply­ed. Once I fin­ished the Free­dom Riv­er script, we despatched it to him togeth­er with a conveyable reel to reel tape recorder and a siz­in a position verify and crossed our fin­gers. He was both des­per­ate for mon­ey or (I might reasonably imagine) some­factor in it touched him as a result of two weeks lat­er we obtained the reel again with the nar­ra­tion phrase for phrase and we have been on our method.

Certainly, they have been.

Direct­ed by Sam Weiss, Free­dom Riv­er tells the sto­ry of decline–of a once-great nation laps­ing into ugli­ness. Regardless of the com­fort­ing myths we like to inform our­selves right here in Amer­i­ca, that ugli­ness has all the time been there. Xeno­pho­bia, greed, racism (you might add just a few extra traits to the listing) are noth­ing new. They simply are inclined to sur­face when dem­a­gogues make it per­mis­si­ble, which is pre­cise­ly what we’re see­ing proper now. For­tu­nate­ly, Welles’s nar­ra­tion leaves us with room to hope, with room to imagine that our cit­i­zens will rise above what our worst lead­ers have to supply.

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Relat­ed Con­tent

Orson Welles Nar­charges Coleridge’s Rime of the Historical Mariner in an Exper­i­males­tal Movie Fea­tur­ing the Artwork of Gus­tave Doré

Is It All the time Proper to Be Proper?: Orson Welles Nar­charges a 1970 Oscar-Win­ning Ani­ma­tion That Nonetheless Res­onates Right this moment

Future Shock: Orson Welles Nar­charges a 1972 Movie Concerning the Per­ils of Tech­no­log­i­cal Change

An Ani­ma­tion of Orson Welles’ Well-known Frozen Peas Rant