Stanley Kubrick’s Annotated Copy of Stephen King’s The Shining

The website Over­look Resort has publish­ed pic­tures of Stan­ley Kubrick’s per­son­al copy of Stephen King’s nov­el The Shin­ing. The e book is crammed with excessive­mild­ed pas­sages and enormous­ly illeg­i­ble notes within the margin—tantalizing clues to Kubrick’s inten­tions for the film.

The positioning fea­tures a pic­ture of the e book’s care­worn cov­er together with two spreads from the e book’s inte­ri­or —pages 8–9, the place Jack Tor­rance is being inter­considered by resort man­ag­er Mr. Ull­man, and pages 86–87 the place resort prepare dinner Dick Hal­lo­rann talks to Jack’s son Dan­ny in regards to the tele­path­ic abil­i­ty known as “shin­ing.”

A lot of the mar­gin­a­lia is mad­den­ing­ly arduous to deci­pher. One of many notes I may make out reads:

Perhaps similar to their [sic] are peo­ple who can shine, perhaps there are locations which can be spe­cial. Perhaps it has to do with what hap­pened in them or the place they had been constructed.

Kubrick is obvious­ly work­ing to trans­late King’s e book into movie. Oth­er notes, how­ev­er, appear whol­ly unre­lat­ed to the film.

Any prob­lems with the kitchen – you telephone me.

When The Shin­ing got here out, it was greet­ed with tepid and non­plussed critiques. Since then, the movie’s rep­u­ta­tion has grown, and now it’s con­sid­ered a hor­ror mas­ter­piece.

At first view­ing, The Shin­ing over­whelms the view­er with pun­gent photos that etch them­selves within the thoughts—these creepy twins, that rot­ting senior cit­i­zen within the bathtub­tub, that del­uge of blood from the ele­va­tor. But after the fifth or sev­enth view­ing, the movie reveals itself to be far bizarre­er than your aver­age hor­ror flick. For example, why is Jack Nichol­son learn­ing a Play­lady magazine­a­zine whereas wait­ing within the lob­by? What’s the cope with that man within the bear swimsuit on the finish of the film? Why is Dan­ny put on­ing an Apol­lo 11 sweater?

Whereas Stephen King has had dozens of his books adapt­ed for the display (many are flat-out ter­ri­ble), of all of the adap­ta­tions, that is one which King energetic­ly dis­likes.

“I might do each­factor dif­fer­ent,” com­plained King in regards to the film to Amer­i­can Movie Magazine­a­zine in 1986. “The true prob­lem is that Kubrick got down to make a hor­ror pic­ture with no appar­ent beneath­stand­ing of the style.” King lat­er made his personal display ver­sion of his e book. By all accounts, it’s nowhere pretty much as good as Kubrick’s.

Per­haps the rea­son King loathed Kubrick’s adap­ta­tion a lot is that the well-known­ly secre­tive and con­trol­ling direc­tor packed the film with so many odd indicators, like Danny’s Apol­lo sweater, that appear to level to a imply­ing past a story of an alco­holic author who descends into mad­ness and mur­der. The Shin­ing is a semi­otic puz­zle about …what?

Crit­ic after crit­ic has try­ed to crack the movie’s hid­den imply­ing. Jour­nal­ist Invoice Blake­extra argued in his essay “The Fam­i­ly of Man” that The Shin­ing is actu­al­ly in regards to the geno­cide of the Native Amer­i­cans. His­to­ri­an Geof­frey Cocks sug­gests that the film is in regards to the Holo­caust. And con­spir­a­cy guru Jay Wei­d­ner has argued pas­sion­ate­ly that the film is the truth is Kubrick’s cod­ed con­fes­sion for his position in stag­ing the Apol­lo 11 moon land­ing. (On a relat­ed observe, see Darkish Aspect of the Moon: A Mock­u­males­tary on Stan­ley Kubrick and the Moon Land­ing Hoax.)

Rod­ney Ascher’s 2012 doc­u­males­tary Room 237 jux­ta­pos­es all of those wild­ly diver­gent learn­ings, bril­liant­ly present­ing simply how dense and mul­ti­va­lent The Shin­ing is. You may see the path­er for the doc­u­males­tary above.

Observe: Observe: An ear­li­er ver­sion of this publish appeared on our website in 2014.

Relat­ed Con­tent:

A Kubrick Schol­ar Dis­cov­ers an Eerie Element in The Shin­ing That’s Gone Unno­ticed for Extra Than 40 Years

How Stan­ley Kubrick Adapt­ed Stephen King’s The Shin­ing right into a Cin­e­mat­ic Mas­ter­piece

Free Doc­u­males­tary View from the Over­look: Craft­ing The Shin­ing Seems to be at How Kubrick Made “the World’s Scari­est Film”

Uncommon Nineteen Sixties Audio: Stan­ley Kubrick’s Large Inter­view with The New York­er

Jonathan Crow is a Los Ange­les-based author and movie­mak­er whose work has appeared in Yahoo!, The Hol­ly­wooden Reporter, and oth­er pub­li­ca­tions. You may fol­low him at @jonccrow.