Uncover Paul Éluard and Max Ernst’s Nonetheless-Weird Proto-Surrealist E book Les Malheurs des immortels (1922)

When the names of French poet Paul Élu­ard and Ger­man artist Max Ernst come up, one sub­ject all the time fol­lows: that of their years-long ménage à trois — or moderately, “mar­riage à trois,” as a New York Occasions arti­cle by Annette Grant as soon as put it. It begin­ed in 1921, Grant writes, when the Sur­re­al­ist…