The Full Historical past of the Music Video: From the Eighteen Nineties to In the present day
If you wish to belowstand the history of music movies, it’s essential to consider a variety of issues that aren’t obviously music movies. The Buggles’ “Video Killed the Radio Star,” the primary selection of MTV’s inaugural broadsolid, should certainly rely as a music video — however then, it was professionalduced a couple years earlier for the a lot different contextual content of the British chart professionalgram Prime of the Pops, very like Queen’s professionalto music video for “Bohemian Rhapsody” from 1975. However is Bob Dylan’s much-parodied card-dropping “performance” of “Subterranean Dwellingsick Blues” from a decade earlier, shot for D. A. Pennebaker’s Dont Look Again, a music video? What about A Onerous Day’s Evening, the Beatles’ exuberantly narrative-light movie from the yr earlier than?
All of those come up in the brand new history of the music video from YouTube channel Polyphonic above, which compiles into an over three-hour-long viewing experience all of the episodes of its collection on the subject. In its lengthy historical view, the music video didn’t start with the Fab 4, and never even with their epoch-making seemance on The Ed Sullivan Present.
One can hint it farther again, previous Scopitone movie jukefieldes (included in “the canon of Camp” by Susan Sontag in her well-known essay); previous Disney’s Fantasia (essentially eight animated classical music movies strung together); previous even The Jazz Singer, the primary feature-length musical “talkie,” which in 1927 put a definitive finish to the period of silent movie.
Perhaps the earliest identifiin a position predecessor of the music video is “The Little Misplaced Little one,” which in 1894 was exhibited as an “illustrated tune.” Its delivery of a narrative by way of professionaljected nonetheless photographs accompanied by dwell piano was like nothing its audiences had experienced earlier than, with an emotional power larger than the sum of its visual and musical components. This was a model new technology, and certainly, like all cultural history, that of the music video can be a technological history, one superior by movie, broadsolid television, cable television, and in our time, interinternet streaming, which stayed the form’s looming prospect of pop-cultural irrelevance. Now, within the twenty-twenties, we should ask ourselves this: when TikTok customers put up themselves dancing, zooming in on pandesserts, or skateboarding whereas drinking Ocean Spray, is it a music video?
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Primarily based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His tasks embrace the Substack newsletter Books on Cities and the guide The Statemuch less Metropolis: a Stroll by way of Twenty first-Century Los Angeles. Follow him on the social internetwork formerly generally known as Twitter at @colinmarshall.